Disclaimers; Non-Canonical Editions and Drafts

Disclaimer: I’m cheating, or at least playing a different game.

I am using distribution channels (Kindle, Nook, Diesel etc…) to push out something that is not quite what people expect from them.*

When I give my book away in the gift economy feel some guilt because I worry that I might be undermining others. Not just those who charge money, but also those who give away their creations as part of a larger plan.

I wrote some words because it brought me happiness to do so. Avoiding Space Madness was the result of those efforts.

I truly believe that grammar is the etiquette of the written word, and poor grammar is the written equivalent of showing up for a formal dinner party dressed like Radagast the Brown. You look incompetent and nobody knows what your doing. More importantly you make things awkward for everyone else (especially those who want to like you).

So before putting it into the world, I edited it to the best of my ability (to my dismay, I am not a very good copyeditor).

There is no marketing plan around giving away the book. I am not engaging in the same dynamics as most other authors.

I am giving away the book to stop myself from continuing to edit it with diminishing returns and diminishing joy. This enables me to have time to write more and bring myself joy.

It is my hope that it brings entertainment to others. It is amazing to think that other people have read my words.

*To highlight this, the book is labeled thusly:

“non-canonical edition disclaimer:

This is a draft. This is only a draft. If this were a real book, all of the sentences would have both subjects and verbs.

If I ever have a publisher or access to a copyeditor, I will publish a canonical edition. Until then, I wrote something approximating a book and put it out for the world to take as much pleasure in it as the world would.

Then I wrote this disclaimer to answer some questions I received about what my intentions were.

I hope it helps.

Does my free novel devalue entertainment? OR Why do I hurt the ones I love?

Note: This post was originally conceived of as a forum topic here.

Exhibit A: I believe that creative/intellectual endeavors frequently bring value into the world, even when they are digital objects.

Exhibit B: I have decided the best thing (for me) to do with my novel is to give it away.

Providing my novel for free meets a variety of my goals (I am not convinced that it alone maximizes my readership, but that’s a topic for another day).

But doing so puts me in a precarious position vis a vis exhibit A.

In theory, some readers will hopefully enjoy the book and think that it was of value to them. It will be value they did not pay for, which could contribute to the general devaluing of electronic entertainment.

Once people are used to getting something for free, it loses value. Similar to the race to the bottom (read 99 cents) in the iTunes store, where many people no longer even consider purchasing a 5-dollar game, I wonder and worry if giving away my book does not help train people to think they should be able to get e-books for free.

I finesse the problem slightly by mentioning gift economy a few times, encouraging people to share the book with friends and so on. But even that has problems, because it can lead a fan to assume that I am simply operating within a successful business model that they simply do not understand.

That model does not exist. For me at least.

That’s ok for me (except inasmuch as it means people don’t bother to try the book because of perceived value problems) but I wonder if it wouldn’t have been the moral thing to do to charge something as show of solidarity to my fellow authors.

All of this is probably taking the impact of a single book by an unknown author too seriously, but the larger question seems worth considering.

Thoughts?

The Value of Publishing

“Anybody who likes writing a book is an idiot. Because it’s impossible, it’s like having a homework assignment every stinking day until it’s done. And by the time you get it in, it’s done and you’re sitting there reading it, and you realize the 12,000 things you didn’t do… And when you’re done, people tell you “Well, gee, I’m not interested.”

– Lewis Black

Everything I write is a reflection of me (yes – even a genre fantasy novel). The relationship may not be intuitive or straightforward, and it may not be the relationship you assume, but it exists.

Every author in some way portrays himself in his works, even if it be against his will.
– Goethe

Towards the end of Avoiding Space Madness, Darwin starts ranting about how hard it is to find a truly comfortable chair. This is a minor scene, but it does a few things. It illuminates Darwin’s temperament and history; it fills in some details about the world he inhabits, and it was fun to write. It’s a good solid piece of writing.

I wrote the first draft of it over four years ago, and I am no longer same author now that I was then. I would not disavow it, it is a scene that I fully stand behind, but my mind now understands that interaction in subtly different ways.

The last time I edited Avoiding Space Madness, I was tempted to cut the scene out. Not because there is anything wrong with it, but it’s no longer how I would solve the problems it solves. Alone that is an edit, but the ranting about chairs scene does not exist in isolation. Every part of the book affects everything else and I could not simply delete it without doing damage to the rest of the book. The problem is not the scene. The chair rant fits perfectly fine into the book I wrote.

The problem is that I probably would not write the same kind of chair rant anymore (instead I might write a sophisticated diatribe about lawn art).

Art is never finished, only abandoned.
-Leonardo da Vinci

To truly get at the heart of the changes I’ve undergone as a writer large parts of the book would need to be gutted and re-written. Which would be worthwhile if it would produce a better novel, but it wouldn’t. It would simply produce a different novel. And that novel is the one I am now working on.

At the same time I want to honor the book I wrote. Trying to work on the sequel with an unpublished manuscript in the same series in the drawer was apparently more trouble than it takes to just put it out into the world. So I did.

Part of the story is that I worked on and off on a sequel for a few years. But progress slowed and then stalled.  It didn’t help that every year or so I took a couple of months to go back and revise Avoiding Space Madness.

What it really needed more than anything I could provide, was a copy editor. Since I could not give it that, I kept flailing away at it with the talents I have, rather than the talents it needed. But when book 2 fizzled under the weight of my excitement for what I wanted to do in book 3 I knew I had to change something. Writing for me is a slow process, made slower by the fact that I actually enjoy my day job. It also requires a certain sustained passion for the story I want to tell. I need to care enough about what I am creating to write the boring scenes, to walk away from my partner and write for an afternoon. One day I had to admit to myself that I had been living with my ideas for book 2 for too long, and it had proven fatal. Time to move on.

Time to throw the dead weight overboard.

Putting any work out to the world provides a snapshot, a definitive moment captured. It is the final step in the authorial process.

More importantly, I was shocked to discover that nobody had registered Fantasyofanovelidea.com and had to capitalize on my good fortune.

My first priority for any profits I receive from my donation button is to purchase fantasyofanovel.com and fantasyofanovelideal.com as redirect sites.