Leonard Cohen’s work is so good it tends to lift up those who write about him.
For instance this line: “… given that “Hallelujah” was as much about triumphing over waning potency as it was about anything religious… ”
Today it has generated the following thoughts from me.
His newest album, Old Ideas, is perfect example of what I fear I am losing as I indulge myself with more singles and move away from the concept of albums.
The first time I heard the album, the only song I liked, or even understood for that matter, was Different Sides.
The second time I listened to it, I also came to have a deep and profound experience with Banjo.
If you could hear what I hear when I listen to Banjo…
http://www.youtube.com/watch?v=4UXmo5hBYgY
That would be something… that really would be something.
I would love to know what you hear as well.
Then I put the album away for a while. But I came back now and again, and now I count Going Home and parts of Amen among the songs I feel like I understand.
Going Home alone is worth the price of the album for me.
But more importantly I look forward to coming back to the album over the next few years to see what other surprises it has in store for me.
I tend to be dense when it comes to art so my particular experience is likely tinged by this. That is part of the attraction for me. But I suspect the thrill of coming back to a large complicated piece and finding new nuances is a more universal experience.
I don’t begrudge the evolution of how we consume music (although I worry about mp3 sound quality). The form has always been dominated by its limitations, and our current distribution model has many advantages.
But the experience I am having with Old Ideas is one that I have to work harder to find.
More quotes:
“For a Zen monk who started his career as a poet, Leonard Cohen has used a lot of synth horns.”
http://pitchfork.com/reviews/albums/16228-leonard-cohen-old-ideas/
Possibly apocryphal:
I’ve come to the conclusion, reluctantly, that I am going to die. So naturally those questions arise and are addressed. But, you know, I like to do it with a beat.
Leonard Cohen, when asked at a recent press conference whether he had “come to terms with death”.
Has there ever been a musician with as consistently good album titles? http://en.wikipedia.org/wiki/Leonard_Cohen_discography …
And because it cannot be avoided: